Sunday, January 31, 2016

TEDx Birmingham Journey

Thank you for traveling along and allowing me to share this art path with you. It has taken an unexpected and fun little trek.

I'm honored and humbled to be a speaker at the TEDx Birmingham, March 12, 2016, event.

There will be 15 speakers and Pure Imagination is the theme. I will be sharing some of my work and speaking about how when we experience representational art, by making it and viewing it, we gain empathy for each other and gather insight into what it means to be human.

When & Where: Saturday, March 12, 2016, Alys Stephens Center, Birmingham, AL. The event will also be live-streamed, and on the TEDxBirmingham site after the event. All the info is on their website.

Tickets: Seats are limited so you must apply for a ticket.

*Applications will be open until Midnight Jan 31.* More information about the speakers, program and tickets may be found on the website.

It has been quite a learning process to write this talk. One of the toughest parts was narrowing down all the things I could say about art and focusing in on the one point I really wanted to make. Tough to do when you are passionate about so many aspects of a subject.

The TEDx Birmingham organizers have been fantastic during the entire process giving information about how to craft a great talk, giving us deadlines to meet, and assigning speech coaches to each of us.

I was asked to submit in July 2015, found out I was accepted in October and immediately started working on the talk. To help me prepare, I read a very interesting book, Resonate by Nancy Duarte that is specifically about presenting visual stories.

Yesterday, I had my first focus group presentation. In my group was Jonathan Owen, Donna Dukes and Rubin Pillay, MD, PhD. Their talks were fascinating. You can see more about them on the TEDx Birmingham's speaker page. It was great to get feedback from impartial strangers.

We all got tips and advice for the presentation delivery. Six weeks till the talk gives us time to memorize it better, try for a more conversational manner, put emphasis in the right spots, vary the cadence, and figure out what to do with our hands and body.

A little more news, one of the TEDx Birmingham's organizers just happens to also be this year's 2016 TED Prize Winner, Sarah Parcak. The UAB space archeologist will get $1 million to invest in her idea which will be revealed at TED2016. Congratulations Sarah!

Sunday, November 1, 2015

Fall Sepia Oil Sketch Sale and How To Paint Your Own

Fall Sepia Oil Sketch Sale
$275 Framed - Free Shipping in the US, $20 international shipping. Sales tax applies in AL, USA - email me at for arrangements.
Add One to Your Collection!
Art Lesson Du Jour : (or how'd she do that?)
The method I've used in these little life-studies has more in common with sculpture or watercolor than with more traditional methods of oil painting. 
Here's why: I first block in the general shape of the figure in a fairly solid area of paint. I imagine it as a big chunk of marble. I'm looking for a pleasing composition and the correct general proportions of the figure. 
Kelsey on Tuesday, 14x11, oil on linen over panel
I then use a piece of soft T-shirt fabric to rub out the light areas, leaving the dark. It's this reductive method that is much like a sculpture carved from a block of stone, where bits of clay are chipped off, rather than an additive method where pieces of paint, or clay in sculpture, are added to the artwork to build up the form.

Anders on Tuesday, 14x11, oil on panel
The white of the canvas is utilized for the lighter values, rather than adding white to make the paint lighter. In that respect, this method is similar to watercolor where the white of the paper is reserved for lighter areas. Mid-tones are built by allowing more or less of the white of the canvas to shine through the paint. For that reason, I would only use a transparent or semi-transparent paint to do a rub-out. 

Claire Sits 14x11, oil on panel
Toward the end of the painting, I will add a few strokes of thinker paint for darker accents but only use the one color, burnt umber. At this point, I could add full color but I think these sepia studies are beautiful and sometimes choose to leave them as they are.

I've been practicing these little sketches for years at a weekly life drawing group. They're so much fun, and I find they are great exercises for understanding the human form and values. I then apply that knowledge in my studio work, which also starts out with a burnt umber rub-out underpainting. So artist friends give this watercolor/sculpture painting method a try! 
The studies are framed in a wood frame painted in an espresso color.
If you're an artist in Birmingham, AL, consider joining us on Tuesday nights at Forstall Art Center, 6-9 pm for X's 8, ( pronounced Times 8) nude life drawing group. $10 per session or $35 for the month. 

Thursday, October 29, 2015

How to Self-Critique Your Art

Art Lesson Du Jour
Spend Less Time on the Ropes to Make Better Work
(dedicated to my champion students)

Fact: It's a simple truth that every painting and drawing are a series of corrections. 

When taking a jab at art, each mark is our best guess in relationship to the other marks we've made. It's the best mark we can make right then, at that moment in time. We make it knowing full well that it is likely to change, and that's ok. Later in the process we will know better. 

Problem: Panic, strong emotions, and harsh self-criticism will defeat the creative process. 

I often see students in a knock-down, drag-out with themselves when things aren't going well in a drawing or painting. Their critique of the work becomes a criticism of self. It's easy to allow the critical voices of one's insecurities or the nasty voices of others into your head. I've been there and done that as well. Trust me, when you let those guys talk, no constructive critique is going on! 

When I see my students hitting below the belt I say, "Hey, don't talk to my student that way," "Would I say that to you?" or "Would you say that to anyone else in your life?" Of course the answer is always "No!"

Panic too can creep in during frustrating moments. We live a fast paced life with instant gratification and the sheer time required to look and see properly can make an artist feel panic. The brain is constantly yelling, "This is taking too long." We feel certain that everyone else is figuring this stuff out with more agility and speed than we are.

All this self-doubt and emotional thinking clog up the creative process, so that's why it's important to have a strategy in place. 

Your brain without a plan.
Solutions: Click READ MORE  below for answers. 

Wednesday, October 21, 2015

"Celebrating Art Of Women By Women" In Nashville, TN

I'm so pleased to have work in this show at Haynes Galleries, in Nashville, TN. What an honor to be showing with so many artists I admire!

You may see this stellar show through Nov 7, 2015.

Here are a few of my pieces in the show.

Laissez les Bons Temps Rouler, 30x24, oil on canvas

It’s a Man’s World, 20x16, oil on canvas

The Torch Singer, The Incognito Project, 16x16, oil on panel

Saturday, September 19, 2015

Life and Afterlife in a Cubicle

I had the pleasure of collaborating on a project with my husband, Daniel M. Strickland. His debut novel, Synergeist, has launched! My part in the collaboration process was the painting for the cover and having the privilege of being an early reader.

One challenge to painting a cover for the book was to try to capture the idea that energy is created when someone makes something. The art created continues to hold some energy after the artist has moved on.

As someone who has cried while standing in front of a five hundred year old painting, been moved to tears in a centuries old church, felt energized by words written by an author long dead and gotten shivers from music, this concept makes sense to me.

As is always the challenge, how does one capture the visceral with these meager visual tools? It sparked many interesting conversations around the dinner table about what something so etheral should look like.

Synergeist, 20x16, oil on panel, 2015 
Click below to see more painting details and info about the book.

Sunday, June 28, 2015

Alla Prima Still Life Painting Sale

Add one to your collection

Rare Oil Sketches SALE- $125 Free shipping (in the continental US, Birmingham, AL area local pick-up or delivery, unframed. Sales tax applies in AL, USA)

email me at for arrangements.

Berries With the Red Striped Bowl, 6x8, oil sketch SOLD

This following quote is apropos for a post about Alla Prima painting, which is Italian for "at the first." 

“...she took her hand and raised her brush. For a moment, it stayed trembling in a painful but exciting ecstasy in the air. Where to begin?--that was the question, at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions--- Still the risk must run; the mark made.” 
                                                  ― Virginia Woolf, from To the Lighthouse

Lenten Roses in a Tiny Green Vase, 6x8, oil sketch SOLD

Wednesday, June 10, 2015

Alla Prima Still Life Workshop

I'm teaching a workshop Saturday, June 13, 2015 at Shelby County Arts Council in Columbiana Alabama. All skill levels are welcome. The workshop is almost full - just a couple spots left. You may register HERE. 

Alla Prima, quick sketch paintings done in a single session, is an art form unto itself. Here's a sneak peek at some in-progress pictures of the type of small,  jewel like paintings we'll be doing.
Basic block-in
See more pictures and information below the break.

Thursday, January 22, 2015

Etiquette for Artists and Their Nude Models

I've been asked recently for some guidelines for appropriate artist's behavior when working with models in a life drawing group. This is what I came up with.

Rules for Artists:

1. DO NOT touch the model, NO exceptions. No touching is a cardinal rule, not to be broken, ever. This rule also applies to artists when working with models privately for life drawing or photography sessions.

2. DO NOT photograph the model and do not ask the model if you can take a picture. A model may feel obligated to say yes because you are paying them, so it's best to not even ask. Make a separate appointment for photography because when an artist's model does photographic modeling, they make at least two to four times as much per hour as live models. Photographers/artists should have a model release specifically stating the intended use of the photographs.

3. DO NOT chat with the model when he/she is modeling. Conversation is distracting for the model and your fellow artists.

4. DO NOT make comments about the model's body.

5. DO NOT invade the model's personal space.  This includes sitting on the model stand any time the model is on it, five feet away is a good starting point.

6. DO NOT ask the model personal questions such as their last name, where they live, etc.

7. DO NOT ask the model out on a date. 

8. DO NOT allow non-artists to wander through the room. 

9. DO NOT remove your clothes when the model does. I bring this up because it happened in one of my drawing classes when I was a college student.

Sunday, November 9, 2014

"It's a Man's World" New Painting

It's a Man's World, 16x20, oil on canvas over panel
I wanted to explore further the idea of disguise, in this case donning on a man's persona. How would the world be changed if everyone could put on a mustache and instantly be equal?

There is whimsy and humor in this piece but for me there is a deeper thread about gender equality. My favorite works of literature, music or art can make me laugh and cry because life is funny and poignant.

Click Read More below to see details of the painting.

Monday, October 13, 2014

Terry Strickland Oil Painting Class

I have one spot open in my ongoing painting class at Forstall Art Center, here in Birmingham, AL.

Here is some basic info about the class:
WHEN: Tuesday mornings, 9:30-12:30. Forstall Art Center

FORMAT: My knowledge is your knowledge! I use a one room school house type class, where there are students of varying skill levels. This approach seems to work well, as everyone gains when hearing critiques from each others work. Those back to basics concepts that we continually revisit help strengthen everyone's work.

There will be demos and exercises working from still life or photographs, occasionally we have a model. These will focus on using oil paint to create the illusion of reality and in general every aspect of the drawing and painting process. It's amazing the things you can create when your "artistic skills" tool box is full of many tools! The class is small enough that you'll get feedback one on one while everyone is working on their own paintings. The good thing is it's always fun!

PRICE: $200 for six classes. (plus one make-up if you have an absence during the six weeks)
~The class will be paid for in 6 week segments, with one make-up class allowed. 
~Class size will be limited to 8
~The class will run continuously.

I also teach an afternoon class that is currently full with a short waiting list. Maybe my B'ham art types are sleepy heads.
You may email me at if you are interested or have any questions. Or call me at 205 529-9859

Thursday, August 28, 2014

Women Painting Women 2014 Art Show Catalogs

Learn more about the Women Painting Women blog, my posts about the Pay It Forward show brought to you by Women Painting Women, and WPW: 5th Annual and Juried International Show at Principle Gallery Charleston and Matter Deep Publishing.

Women Painting Women: 5th Anniversary & International Juried Show
82 pages, published 8/15/2014
Women Painting Women: 5th Anniversary & International Juried Show, Principle Gallery Charleston, Exhibit Catalog, 2014

Pay it Forward
48 pages, published 8/15/2014
Pay it Forward, Principle Gallery, Exhibit Catalog, 2014


Related Posts Plugin for WordPress, Blogger...